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Chapter 4OUR

guest:
Simon(e) van Saarloos

CLOSED

Sat, Jun 5, 2021–Mon, Nov 1, 2021
About Chapter 4OURAbout Simon(e) van SaarloosEssay Simon(e) van SaarloosEssay Vincent van VelsenEssay Olave NduwanjeBedfordClemence Seilles & Théo DemansEvan IfekoyaFracesc RuizGoldendean (Dean Hutton)Jacolby SatterwhiteKevin GotkinMarlow MossMire LeeOtionPaula Chaves BonillaRaúl De NievesSamantha NyeTabita RezaireTarek LakhrissiWendelien Van OldenborghZach BlasZoe WilliamsPressClosing Party
“We must bring about the end of the world as we know it.”
Simone van Saarloos & curator Vincent van VelsenOlave Talks with Kevin GotkinOlave Talks with OTION

Chapter 4OUR

About Chapter 4OURAbout Simon(e) van SaarloosEssay Simon(e) van SaarloosEssay Vincent van VelsenEssay Olave NduwanjeBedfordClemence Seilles & Théo DemansEvan IfekoyaFracesc RuizGoldendean (Dean Hutton)Jacolby SatterwhiteKevin GotkinMarlow MossMire LeeOtionPaula Chaves BonillaRaúl De NievesSamantha NyeTabita RezaireTarek LakhrissiWendelien Van OldenborghZach BlasZoe WilliamsPress

Sugar Walls Teardom (2016)

Tabita Rezaire, Sugar Walls Teardom, 2016

Simon(e) van Saarloos:

Oh my goddess, this work, this artist! Tabita Rezaire works with mythology, suppressed histories, energy, and new media. The hyper-virtual world comes along with a physical practice: feeling your body, breathing. Everything flows together in the body: history, water, trauma, enjoyment, and pleasure. This fluidity presents an exercise: physical work enables healing, for example of intergenerational trauma, and helps to imagine the future (imagining justice from a position of calmness and desire). In her film Deep Down Tidal, Rezaire approaches the ocean like a cemetery of Black history and technology. She shows that the fiber cables which facilitate data transfer, follow the same route as the colonial ships which transported enslaved people across the Atlantic Ocean. In this way, Rezaire criticizes the way the so-called free flow of information on the internet builds on the familiar mechanism of exclusion: racism and exploitation. Rezaire calls this electronic colonialism. By this she means the abundant circulation of Euro-centric knowledge and the forced dependence of formerly colonized countries, maintained by software, hardware and information protocols imposed by Western engineers. Deeply critical of normalized violence, Rezaire’s work centers on healing. She is a doula and kundalini yoga instructor. Sugar Walls Teardom invites you for serious participation in a guided meditation.

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