Het HEM is reopening Chapter 3HREE Maarten Spruyt from June 27th on. The exhibition can be visited on the last weekend of June, all weekends in July and the first weekend in August on Saturday and Sunday from 1pm until 8pm.
Thanks to the generous donations made to our ‘Shoot Us With Love!’ crowd funding campaign we can re-open our doors to Chapter 3HREE Maarten Spruyt to the public. Most of the exhibited artists have been so charitable to leave their works for a period longer. Unfortunatelly th works from Ivana Basic and Cyprien Guillard are no longer exhibited here. It is necessary to make a time slot reservation for Chapter 3HREE via our ticket page.
If we succeed in finding sufficient structural support, we will resume our own programme in 2021 and return in March with Chapter 4OUR and 5IVE, in collaboration with Simon(e) van Saarloos and Rem Koolhaas / Samir Bantal respectively.
Het HEM is a home for contemporary culture, situated in a former munitions factory on the Hembrug site in Zaandam.
Chapter 2WO Public Programme
These events are related to Chapter 2WO only. For complete program of events at Het HEM, visit Calendar.
Shock Forest Group (2019) is an international research team consisting of architects, cartographers, linguists, coders, urban planners, sound makers, biologists, designers and engineers. It is an experiment in open research, where the research categories surface as the research develops. It is also an experiment in alternative education, a classroom without a teacher, where learning emerges as a product of polyphony.
These livelihoods make worlds too – and they show us how to look around rather than aheadAnna Tsing
Axel Coumans (NL, 1993) is an artist and a designer. He studied at the Eindhoven University of Technology and now specialises in the inseparable connection between water and landscape. He furthers this knowledge by working, as a designer, with communities at specific locations within the Dutch landscape. His process of ‘knowing’ prioritises tangible experience over factual knowledge. For example, he conducted research on the River Rhine’s influence on the surrounding landscape.
“I use a method where I first listen to the voice of the landscape, which often manifests itself in materials, stories, communities and their interrelationships – whether these are unexpected or not. I try to translate this voice into something the public can experience. This can be in the form of a map, image, instrument, story or an onsite expedition.”