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Chapter 3HREE

guest:
Maarten Spruyt

‘What is important now is to recover our senses’

Fri, Jan 24, 2020–Sun, Aug 2, 2020
About Chapter 3HREEA conversation with Maarten SpruytPortraits series: meet Maarten Spruyt

Chapter 3HREE

Artworks in the Exhibition

AnotherviewBianca BondiTessel BraamSander Breure and Witte van HulzenDavid ClaerboutElspeth DiederixDesiree DolronBram EllensJohn GerrardNoa GinigerChristie van der HaakTamar HarpazAnthony HernandezMaartje KorstanjeJuul KraijerJung LeeGeert MulDaniel MullenOssipCarla van RietMaria RoosenMaaike SchoorelTanja SmeetsJohn Smith
What is important now is to recover our senses
Susan Sontag
Chapter 3HREE

Artworks in the Exhibition

AnotherviewBianca BondiTessel BraamSander Breure and Witte van HulzenDavid ClaerboutElspeth DiederixDesiree DolronBram EllensJohn GerrardNoa GinigerChristie van der HaakTamar HarpazAnthony HernandezMaartje KorstanjeJuul KraijerJung LeeGeert MulDaniel MullenOssipCarla van RietMaria RoosenMaaike SchoorelTanja SmeetsJohn Smith

Liquid Garden/Beneath the Surface, 2019

Chapter 3HREE

For Het HEM, Smeets developed a site-specific installation in which felt, knitted structures and leaf catchers seem to grow like an own entity against the walls.

Tanja Smeets

The works of Tanja Smeets (1963, the Netherlands) give an impression of organic growth processes in which she uses different materials and techniques to create lush sculptures. The installations often seem to be frozen in time, in a phase between flowing and dripping, growing and budding. Like parasites, they lay a poetic layer of organic forms over the hard surface.

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